Themes, connections and the unfathomable
We offer this study page to help make Master Dōgen’s waka a meaningful practice resource. Please think of it as a living document. We will amend and modify it as we continue to make associations between Shōhaku Okumura’s translations, references and commentary. He teaches us reality isn’t a fixed concept. Happily, that includes this page.
About waka
Waka is a very traditional, short form of Japanese poem. The oldest collection, titled Man’yōshū, was compiled in the 9th century and contains more than 4,000 compositions. Members of every social class throughout Japan — from emperor to peasant — contributed to it. So it seems by Dōgen’s time, in the 13th century, waka was a well-embraced literary genre. Its poems contain 31 syllables in a 5-7-5-7-7 pattern. By comparison, the more familiar haiku is shorter, with only 17 syllables in a 5-7-5 pattern.
About Dōgen Zenji’s waka
Dōgen’s genius with words gave him several outlets for teaching. Okumura-roshi tells us giving Dharma discourses, composing Chinese poems and writing Shōbōgenzō were more favored means of expression for Dōgen than waka. Even so, he was good at it, and Japanese people found them very accessible. Unlike some other works, Dōgen wrote waka entirely in the Japanese language. We have 60 or so today thanks to someone collecting them about 100 years after his death.
Titles
You’ll find some waka we’ve posted have titles with this format:
詠本来面目
Honrai no menmoku wo yomu
Poem expressing “Original Face”
Honrai no menmoku is actually the title — “Original Face” in this instance. And wo yomu translates as “A poem on” or “Poem expressing.” As you read the ideograms left to right in this example, the first character in red, 詠本来面目, is wo yomu. The following characters represent Honrai no menmoku.
Seasons | Scriptures | Expressions | References | Chronology
Significance of the Seasons
When Okumura-roshi began translating Dōgen’s waka poems, he started with those about the seasons. For one thing, the four seasons are very important in Japanese culture. For another, he felt that even though short and simple, these waka expressed a very deep understanding of Dharma. Apparently, Nobel Prize-winning novelist Yasunari Kawabata shared this view. His tribute to the season-oriented poem, “Original Face,” piqued interest well beyond Zen circles.
Original Face, part one | Original Face, part two
In some titles below, the poem may be about or inspired strictly by the season. In others, the season may only be mentioned, either in the waka or commentary. As you see, some titles fall into more than one season, especially those involving transition from one to the other.
Spring
Spring and the Dharma Flower
Nothing Outside of the Moon
Holding Dear the End of Spring
A Bodhisattva Among Shinto
No Separation
Lyrics on the Wind
Summer
Four Seasons of Accord
Rare and Precious
Neither Naughty nor Nice by Nature
Autumn
Right Where We Are
Nothing Outside of the Moon
Intimate Hearing
As Though Hiding One’s Body
Four Seasons of Accord
Winter
Equinox
New Year
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Buddhist Scriptures
The first of Dōgen’s waka we posted back in September, 2013 was on The Lotus Sutra. By June, 2016 we had posted all five of his waka inspired by that teaching.
The Lotus Sutra
Expounding
Grasping
Nothing other
If Not Now, When?
The Pure Land Itself Is Near
Only a Buddha and a Buddha
Way of Dharma
References to The Lotus Sutra
Other Sutras Referenced
Anathapindada’s Daughter Receiving Ordination
The Brahma Net Sutra (Bonmokyo),
Buddha’s Final Teaching (Butsu Yuikyo gyo)
Dhammapada
Diamond Sutra
Heart Sutra
Maha Prajna Paramita Sutra
Mahayana Parinirvana Sutra
Nikaya (Pali)
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Core Concepts and Expressions
These mostly-familiar phrases spun from Zen teachings are linked to waka postings where they appear.
As It Is
Bodhi-mind
Finger [pointing at the Moon]
Five Aggregates of Attachment
Looking for the Sword
Mind Itself is Buddha
Mind-to-Mind Transmission
Nama-Rupa
No Trace, also here
Not Depending on Words and Letters
Original Face, also here
Samsara, also here
Separate Transmission Outside Teaching
Trace
Without a Trace, also here
Waka Named the Same as Other Works
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Other of Dōgen’s Works
Hōjō-san has drawn upon Dōgen’s abundant catalog of writings to illustrate and clarify aspects of his waka. The specific works that follow are linked to the waka commentary that reference them.
Bendowa
Eiheikoroku
Eiheikoroku Vol. 7, Dharma discourse 479
Eiheikoroku Vol. 9
Fukanzazengi
Katto and Mujo-seppo
Gakudo-Yojinshu
Genjokoan, also here & here & here
Hokyoki
Chiji Shingi
Shobogenzo Bodaisatta-Shishobo, also here
Shobogenzo Bukkyo
Shobogenzo Bussho
Shobogenzo Daigo
Shobogenzo Dotoku
Shobogenzo Genjokoan
Shobogenzo Gyoji
Shobogenzo Hokke-ten-hokke
Shobogenzo Hotsu-bodaishin, also here & here
Shobogenzo Hotsumujoshin
Shobogenzo Immo
Shobogenzo Keisei Sanshoku, also here & here
Shobogenzo Kie-sambo
Shobogenzo Osakusendaba
Shobogenzo Sansuikyo
Shobogenzo Shime
Shobogenzo Shoaku Makusa
Shobogenzo Shoji
Shobogenzo Shukke-kudoku
Shobogenzo Sokushinzebutsu
Shobogenzo Tsuki, also here
Shobogenzo Yuibutsu-yobutsu
Shobogenzo Zuimonki, also here & here
Shobogenzo Zuimonki, 3-14
Tenzo Kyōkun, also here
Chronology
The following waka titles, grouped by year, appear in the order we published them here.
2013
Practice Is Realization, Sep 19
Shrouded, Oct 03
A Dewdrop Splashed, Oct 24
Not in Vain, Nov 26
Say Something, Dec 19
2014
Prostration (raihai), Feb 17
What the Mountain Wind Brings, Mar 28
No Separation, May 15
Expounds the Dharma
of Impermanence, July 22
Expounding, Aug 06
Grasping, Nov 05
Nothing Other, Dec 02
2015
2016
Serious Moonlight, Feb 21
Rare and Precious, Mar 06
Whipping Up Bodhi-mind, Mar 20
Where Bodhisattvas Tread, Apr 03
Expanding Family Ties, Apr 17
Spring and the Dharma Flower, May 01
Beyond Causality, May 15
Four Seasons of Accord, May 30
If Not Now, When?, Jun 12
Right Where We Are, Jun 26
Living as Clouds, Jul 10
A Bodhisattva Among Shinto, Jul 24
Nothing Outside of the Moon, Aug 07
As Though Hiding One’s Body (Raihai), Aug 22
Path of Moon and Sun, Sep 04
Through Your Parents’ Eyes, Sep 20
Holding Dear the End of Spring, Sep 22
The Long and Short of It, Sep 25
In Praise of Bodhi-mind, Oct 09
Misspent Time, Oct 23
May We Together . . ., Nov 06
Intimate Hearing, Nov 20
Neither Naughty nor Nice by Nature, Dec 04
True Reality, Dec 18
2017
Beyond Our Grasp, Jan 29
The Pure Land Itself Is Near, Feb 12
Only a Buddha and a Buddha, Feb 26
Way of Dharma, Mar 26
Lyrics on the Wind, Apr 04
The Tail of the Elephant, May 07
The Dharma of Impermanence, Jun 04
Flowers for Buddhas, Jul 02
Nothing But the True Way, Jul 30
Certain to Attain the Way, Aug 27
The Meaning of Not Spending 12 Hours in Vain, Sep 17
Wholehearted Practice of Zazen, Sep 20
Jingqing’s Sound of Rain Drops, Sep 21
Transience Within Boundless Nature, Oct 22
Dew on the Grass, Nov 19
Mountain dwelling, Dec 3
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